Salvador Dalí made (or possibly only authorized) this suite of lithographs in 1976, directly inspired in three of the tarot cards, all from the major arcana: Temperance (no. XIV), The Tower (no. XVI) and The Hanged Man (no. XII). They were titled, respectively: Love’s Promise, The Eternity of Love and The Prince of Love.
My opinion is that Dalí’s actual contribution to these graphic works is limited to the secondary minor figures that appear in black in each one of them: the giraffe-necked angel in Love’s Promise, the page at the right side in The Prince of Love and the two Greek warriors at the left in The Eternity of Love. The rest –and most especially the pretty-looking angel in Love’s Promise– seems to me quite spurious (which does not mean that I dislike it).
The works:
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[All are lithographs on paper, measuring 29 3/4 x 21 3/8 inches. Edition size: 290 copies of each one – Copyright © 1976 Salvador Dalí.]
The Source:
To better understand the drawings above; the good ideas and the flaws in them, the additions and shortcomings; is necessary to know the source: the three trumps from the tarot deck; particularly the Rider-Waite tarot deck (originally published in 1910). (The detail that disappoints me most in the first drawing is that whoever did it failed to appreciate that the water the angel pours from one cup to the other goes upwards, against gravity; that “Dalí’s” angel pours it downwards seems, rather clearly to me, due to lack of information about the meaning of this card. Another, very different, matter is making the prince hang upwards, which is a good contribution.)
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The memoir, the homage and the personal reference
These three cards and, to a lesser extent, the three Dalínian lithographs based on them, have brought to my mind a clear memory of three persons –all closely related to me– and made me think about the destiny of each of them. Hence this post; which I confess that may seem a bit cryptic. Actually it is; I even considered to title it with a single word of Kabbalistic appearance and sound; in a nutshell: Arililaia.
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This is fascinating… I am a student of the Tarot I prefer the Marseille to the Rider which is overloading with meaning in my opinion
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I entirely agree. Too elaborate and overdone!
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I have written about the Tarot (surprise surprise) and also I have a short story that is kind of based on the major arcana
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I’m not at all learned on the Tarot; I just have a basic knowledge of its history (not at all about its divinatory usage, in spite of having Romani descent; so, surely some of my elders where knowledgeable about this :). I’ll look for the posts you tell me.
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Well none deal directly with the Tarot but I will send you some that have a connection
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https://cakeordeathsite.wordpress.com/2017/01/22/le-jeu-du-marseille-a-surrealist-pack-of-cards/
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https://cakeordeathsite.wordpress.com/2016/12/23/to-come-up-here-first-you-have-to-go-down-below-xii-xxiii/
The structure is loosely base on the Tarot… let me know what you think
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Albert Field disagrees with you. As doesFrank hunter and other experts sanctioned to catalog his work. Buy and read the books by Lopsinger… and Micbler..also
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Well, but you do not tell about what …
As for buying and reading books I do it often enough, so do not worry.
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